The Old Senate Chamber is Open!

“...Still the deed these old walls witnessed has given to the surroundings a charm that no coat of paint can ever remove, and so long as a fragment of the building is left standing the spot will be hallowed by all true Americans.” [1]

The exposed eighteenth-century niche is one of the few original architectural features left in the room. Maryland State Archives, May 2014.

After over seven years of research, construction, meetings, and conservation, we are delighted to inform you that the Old Senate Chamber has at last been reopened! In accordance with the original objective of the project, the room has been carefully restored to how it would have architecturally appeared in 1783-1784, when Congress held session in Annapolis, ratified the Treaty of Paris, and received George Washington’s resignation as commander-in-chief of the Continental Army, thereby affirming civilian control of the American military.

Lafayette Becomes “Quite the Thing” in Annapolis

As recent visitors to the State House may have noticed, the Old Senate Chamber restoration impacts much more than just the closing of one room! Many paintings in the state art collection are currently undergoing conservation as part of the restoration, including several portraits of Maryland governors, which have recently been removed from the Archives Room. Walls in the State House rarely remain bare for long though, and we are pleased to use this opportunity to introduce a new exhibit to the Archives Room, featuring an eighteenth-century character with surprisingly strong connections to Annapolis! The Marquis de Lafayette, who first landed in the colonies on June 13, 1777, 237 years ago this month, visited the Maryland State House several times over the course of his long and heroic life.

Marquis de Lafayette by Robert Templeton after Charles Willson Peale, 1975. Maryland State Archives, MSA SC 1545-1034.

“That Most Illustrious Character:” Peale’s Washington, Lafayette, & Tilghman

Anyone who has visited the Maryland State House in the years past doubtless left with an impression of Charles Willson Peale’s Washington, Lafayette, & Tilghman at Yorktown. One of the largest paintings decorating the building’s walls, Peale’s work has been in the Maryland state art collection since its completion in 1784. All the while, the famous Washington, Lafayette, & Tilghman has had a long historical relationship with both the Old Senate Chamber and Old House of Delegates Chamber.

Charles Willson Peale's Washington, Lafayette, & Tilghman at Yorktown, completed in 1784. Maryland State Archives, MSA SC 1545-1120.

In 1781, the patriot cause saw great reason to celebrate with the American victory at Yorktown and subsequent surrender of British General Charles Cornwallis. The Maryland General Assembly sought to mark the occasion by unanimously voting “to write to Mr. Peale, of Philadelphia, to procure, as soon as may be, the portrait of his Excellency general Washington, at full length, to be placed in the house of delegates, in grateful remembrance of that most illustrious character.”[1] A Maryland native who had already earned the respect of the Maryland General Assembly with his portrait of William Pitt hanging in the Old Senate Chamber, Peale was an obvious choice for the painting’s commission. A year earlier, Peale’s painting of Washington in Princeton had garnered enough popularity, that he made several copies of the piece. However, Peale was not satisfied with the idea of presenting his native state with a copy. He sought to paint something new, and a rendition of Washington from life. Ultimately, Washington, Lafayette, & Tilghman took three years to complete.