Showing posts with label furnishings. Show all posts
Showing posts with label furnishings. Show all posts

Friday, August 22, 2014

The Restoration That Didn't Happen

Despite several restoration campaigns to get the Old Senate Chamber back to its original eighteenth-century appearance, the room remains a reflection of its several centuries of history. With the excitement of the room’s earliest days, it is sometimes hard to remember that fascinating stories happened after Washington’s resignation. From the 1876-1878 desecration, to remaining evidence of some of the earliest restoration efforts in 1904-1906, the room continues to hold scars and additions from its entire life.

Most people know that the most recent major restoration of the room occurred in 1940 under architect, Laurence Hall Fowler. However, few people realize that a decade beforehand, efforts were already being made to begin restoring the room. Though the economic depression made funding the restoration unfeasible, the efforts in part resulted in the 1940 restoration, which provided some of our most valuable resources on Old Senate Chamber furnishings to this day.

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Sketched floor plan for the Old Senate Chamber, 1930-1940. Image courtesy of the Maryland Historical Society, Old Senate Chamber Refurbishment Collection, MS 574, copied from the Johns Hopkins Archives.

Friday, August 15, 2014

Furnished with Mahogany: Shaw in the Old Senate Chamber

Several months ago, we covered the humble beginnings of John Shaw’s life in Annapolis. Upon his death at 83, the Maryland Gazette had called him one of the most respected inhabitants of Annapolis, and declared, “He was gifted by nature with strength, as well as fortitude of mind….his whole conduct remained free from reproach, and he descended into the grave, survived by a fair and unblemished reputation, and in peace with the human family. He was not afraid to die!”[1] But what was it that Shaw had done during his life that had changed his status from a Glasgow cabinetmaker to one of Annapolis’ most famous citizens?

Senate President's Desk, made in John Shaw's shop for the Old Senate Chamber, 1797. The desk is inscribed with "W 1797 T," and was made by one of Shaw's most famous apprentices, William Tuck. Maryland State Archives, MSA SC 1545-0749.

Friday, July 25, 2014

Are You Sitting Down? Finding a Chair Fit for the Resignation

When Congress first arrived in Annapolis to hold session in the Maryland State House, the state’s General Assembly was faced with a rather embarrassing problem. Maryland’s Intendant of the Revenue, Daniel of St. Thomas Jenifer, had ordered five dozen Windsor chairs from Matthew Ridley and Mark Pringle in November 1783, likely as a means to accommodate the rush of delegates who would be occupying the Old Senate Chamber. However, due to an unusually cold winter, the Baltimore harbor froze and the chairs did not arrive until April 1784.[1]

Annapolis had won the right to become the first peacetime capital of America, yet had suddenly found itself offering a room that would not have enough chairs to actually host the delegates. While some furniture could likely have been pulled from other offices in the State House, an event as crowded and historic as Washington’s resignation meant that chairs for Congress would have to be procured from another source as well.

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William Paca's armchair, now in the collection of the Maryland Historical Society and on loan to Historic Annapolis, Inc., MHS 20.39.2. Iverson, Marion Day, The American Chair 1630-1890. New York: Hastings House, p.112.

Friday, April 11, 2014

The Desecration of the Old Senate Chamber

Readers of last week’s blog entry may have noticed an event in the Old Senate Chamber’s history that forever left its mark on the appearance of the room. Known to some historians today as “the desecration,” the phrase was used in Elihu Samuel Riley's 1905 work, A History of the General Assembly of Maryland. Calling the renovations, "an act of historic sacrilege," Riley supposedly, "stood in the midst of the Chamber, when the desecration was in progress, and declared: 'This ought not to be done.'"[1]

On March 30, 1876, the General Assembly approved an appropriation of $32,000 for the “repair and improvement of the State House.”[2] In the next two years, under the supervision of Baltimore architect George A. Frederick, drastic changes were made to the historic rooms in order to preserve the safety of the building while updating the building’s style to a Victorian aesthetic. Unfortunately, these changes ultimately hid or destroyed several original architectural details throughout the State House.

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The Old Senate Chamber, as it appeared after the 1876-1878 renovations. Most notable in this picture is the re-opening of two windows at the front of the room and the disappearance of the niche, covered with elaborate drapery in keeping with the Victorian aesthetic. Printer in Souvenir Album, General Assembly of Maryland, 1898 Session, MSA SC 5788.

Friday, April 4, 2014

A Living Shrine, The OSC in the Nineteenth-Century

The life of the Old Senate Chamber did not stop on December 23, 1783 when George Washington resigned his commission. In fact, while seeking to restore the room to how it appeared in the months that Congress was in session at the Maryland State House, researchers have had to look at the entire history of the room - stretching all the way through the nineteenth-century and into the present day. Though the Old Senate Chamber would change dramatically over the years, its status as the room where Washington appeared before Congress was never completely forgotten. Even as early as 1823, Maryland politicians were discussing placing a bronze statue of Washington in the Old Senate Chamber “upon the very spot where he resigned.”[1]

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A detail of one of the earliest known stereocards of the Old Senate Chamber, c.1868, before renovations in the 1870s, taken by William M. Chase. Maryland State Archives, MSA SC 5907-1-1.

Before the renovations between 1876-1878 that considerably altered the appearance of the room (known to some historians today as “the desecration”), the Old Senate Chamber had already dramatically changed since 1783. New, fashionable Empire-style desks were added in 1838 to replace the John Shaw desks supplied in the 1790s. Portraits of the four signers decorated the room, and a carpet was added in 1856. In 1858, the fireplace was taken out to make way for Edwin White’s Washington Resigning, the massive size of which inevitably made it a focal point of the room, consistently earning a mention in nearly every account until its move to the grand staircase in 1904.

Friday, December 13, 2013

“The Prettyest in America:” Accounts of the OSC

Much like their accounts of the city discussed in last week's blog post, delegates of Congress had much to say about their new seat at the Maryland State House. Due to a lack of surviving pictorial evidence from the eighteenth century, these descriptions serve as valuable evidence for determining the appearance of the Old Senate Chamber in 1783.

Opinions on the State House were generally favorable, even from those delegates who were unimpressed with the entertainments of Annapolis. David Howell of Rhode Island, who looked unfavorably on the lack of a church in the city, said of the State House, “The State House & the House assigned for the President are spacious & eligantly finished, far exceeding those buildings in Philadelphia.”[1] Charles DeWitt, a delegate from New York, similarly described the State House in a letter to his son as, “the most superb, it is thought, in any of the United States.”[2]

Conceptual sketch of the State House c.1859. Drawn by Elizabeth Ridout, 1954, Maryland State Archives, MSA SC 1444-01-20.


Friday, September 21, 2012

Trumbull's Old Senate Chamber



Sketches of the interior of the Old Senate Chamber, By John Trumbull.
Graphite on paper, c. 1822
Courtesy Yale University Art Gallery, Gift of the Associates in Fine Arts, 1938.286a &b

The above images, sketched by John Trumbull ca. 1822, are the earliest known depictions of the Old Senate Chamber. These sketches were drafted on-site in preparation to fulfill his 1817 commission from the U.S. Congress to paint  four large scenes of pivotal moments before, during and after the Revolutionary War to hang in the Capitol Rotunda. This series includes, Declaration of Independence (1818), Surrender of Lord Cornwallis (1820), Surrender of General Burgoyne (1821), and General George Washington Resigning His Commission (1824).