O'Malley Gives a Sneak Peek into the Old Senate Chamber

On a press tour this Friday, Governor Martin O’Malley gave the media their first look at the Old Senate Chamber since the room’s doors were closed to the public nearly two years ago as part of the restoration.

Governor Martin O'Malley talks to the press about the restoration of the Old Senate Chamber. Image taken 16 January 2015.

“This room has to be the most significant...in this State House,” the governor, whose term will end next week, told reporters, “How do you walk into this room without thinking of those men and women who made this country...at such a pivotal time?”

The Evolution of the Niche

Of all the architectural features of the Old Senate Chamber, one of the most remarkable is the niche, a crescent-shaped indent in the wall situated opposite the entrance. While almost every other point in the room will be recreated to resemble its eighteenth-century appearance, the niche has miraculously survived centuries of makeovers and is one of the only original features of the room. Which of course, begs the question, how did the niche, where Thomas Mifflin once sat to famously receive Washington’s commission, survive?

Elevation drawing of the niche by J. Appleton Wilson, c. 1905. Image courtesy of the Maryland Historical Society.

The niche was first conceived during the construction of the third (and current) State House between 1772-1779 as a location for the President of the Senate. The room, constructed in the Palladian style popular at the time, emphasized symmetry above all else. The door that led to the Senate Committee Room, for instance, was balanced out with a fake door on the opposite side of the fireplace. Likewise, the main entrance to the room was mirrored by a niche, situated on top of a platform known as the dais. The spot was intended for the President of the Senate to sit and preside over meetings of the legislature, ironically creating an elevated space that resembled a throne.

The Desecration of the Old Senate Chamber

Readers of last week’s blog entry may have noticed an event in the Old Senate Chamber’s history that forever left its mark on the appearance of the room. Known to some historians today as “the desecration,” the phrase was used in Elihu Samuel Riley's 1905 work, A History of the General Assembly of Maryland. Calling the renovations, "an act of historic sacrilege," Riley supposedly, "stood in the midst of the Chamber, when the desecration was in progress, and declared: 'This ought not to be done.'"[1]

On March 30, 1876, the General Assembly approved an appropriation of $32,000 for the “repair and improvement of the State House.”[2] In the next two years, under the supervision of Baltimore architect George A. Frederick, drastic changes were made to the historic rooms in order to preserve the safety of the building while updating the building’s style to a Victorian aesthetic. Unfortunately, these changes ultimately hid or destroyed several original architectural details throughout the State House.

The Old Senate Chamber, as it appeared after the 1876-1878 renovations. Most notable in this picture is the re-opening of two windows at the front of the room and the disappearance of the niche, covered with elaborate drapery in keeping with the Victorian aesthetic. Printer in Souvenir Album, General Assembly of Maryland, 1898 Session, MSA SC 5788.

What color was the Old Senate Chamber?

This is one of the many questions often asked by visitors to the Old Senate Chamber, and it is one being scrutinized by the project team working on the restoration. In a room that has experienced so many architectural changes in its 233-year history, there is no easy answer to the question of what is "original" to the room. Beginning with this entry, we will begin to examine many of the architectural elements and finishes currently in the space and provide insights into what we do, or do not, know about each of them. 

c. 1905
Color postcard of the Restored Old Senate Chamber
Postcards Of Maryland State House Grounds Collection
MSA SC 2215-21

 
Since the room was restored in 1905, the walls have only been painted in three different colors: a "colonial" green in 1905, modeled after John Trumbull's 1824 painting of General George Washington Resigning his Commission; white in the mid-twentieth century; and Prussian blue in the late 1990s.

So are any of these colors original to the eighteenth century?
 

First Photographic Images of the OSC

Brief Architectural History of the Old Senate Chamber

The jewel of the Maryland State House is the Old Senate Chamber, where the Continental Congress met while Annapolis was the capital of the United States from November 1783- August 1784. It was here that General George Washington, on December 23, 1783, came before Congress to resign his commission as commander-in-chief of the Continental Army in an emotional ceremony.  He left immediately after the ceremony to return to Mount Vernon and private life as a farmer. A bronze plaque on the floor marks the exact spot where he stood while delivering his farewell speech. Less than a month later, on January 14, 1784, the Treaty of Paris was ratified in this same room, officially ending the Revolutionary war.

18th Century

Maryland's Old Senate Chamber is not only regarded as one of the most historic and hallowed rooms in our nation's history. Designed by Annapolis architect, Joseph Horatio Anderson,  it was also considered to be one of the most architecturally elegant and refined  public spaces in Colonial America. Featuring a gallery, described as "more elegant than required," balanced on the opposite wall by an ornately carved niche, the Old Senate Chamber was the embodiment of Annapolis-style design and craftsmanship.