The Old Senate Chamber is Open!

“...Still the deed these old walls witnessed has given to the surroundings a charm that no coat of paint can ever remove, and so long as a fragment of the building is left standing the spot will be hallowed by all true Americans.” [1]

The exposed eighteenth-century niche is one of the few original architectural features left in the room. Maryland State Archives, May 2014.

After over seven years of research, construction, meetings, and conservation, we are delighted to inform you that the Old Senate Chamber has at last been reopened! In accordance with the original objective of the project, the room has been carefully restored to how it would have architecturally appeared in 1783-1784, when Congress held session in Annapolis, ratified the Treaty of Paris, and received George Washington’s resignation as commander-in-chief of the Continental Army, thereby affirming civilian control of the American military.

George Washington’s Speech is Unveiled!

On President’s Day this year, visitors to the State House and the Maryland General Assembly had cause to celebrate. George Washington’s handwritten copy of his resignation speech was at last unveiled in the rotunda, where it will remain, in a new case constructed specifically for its permanent display.

The color guard pays its respects prior to the unveiling of the speech. Image courtesy of the Executive Office of the Governor, 16 February 2015.

Since being acquired by the state of Maryland in 2007, and verified as Washington’s original copy through watermark analysis, the speech has been locked away deep in the Maryland State Archives, waiting to be installed in the State House around the time of the opening of the Old Senate Chamber. In preparation for this event, the speech was cleaned and given a bath by Archives conservation staff so that it would be in good shape for the big unveiling!

Martha Wasn't There! And Other Common Misconceptions

With the Old Senate Chamber opening in just over a month, no one can ignore the myths that have taken hold over the past several centuries surrounding the room. While the Old Senate Chamber is filled with many fascinating tales, some true and some less so, it’s time to set the record straight on at least a few of these favorite stories.

The ladies in the gallery during the resignation, including Martha Washington at the center. Crop from General George Washington Resigning His Commission by John Trumbull, 1824. U.S. Capitol Rotunda.

228 Years Ago: The Annapolis Convention of 1786

Many visitors to Maryland's capital city don’t realize that Washington’s resignation and the ratification of the Treaty of Paris were not the only significant national events to take place in eighteenth-century Annapolis. On September 11 through September 14, 1786, delegates from Congress who were elected as commissioners descended upon the city once again in the hopes of meeting to determine the course of American government. While poor attendance prevented much progress at the Annapolis Convention of 1786, its impact on the Philadelphia Convention of 1787 and the resulting United States Constitution cannot be ignored.

A famous depiction of the Philadelphia Convention of 1787, where the Constitution was signed. This gathering is considered by many to be a direct result of the Annapolis Convention of 1786. Scene at the Signing of the Constitution of the United States, by Howard Chandler Christy, 1940, courtesy of the Architect of the Capitol.

After the Revolutionary War, the United States government found itself without money, unable to even offer soldiers’ their pay, and in the midst of an economic depression. Furthermore, Congress found that it could take few measures to resolve this problem as the lack of a unified currency, among other things prevented ease in interstate state trading. Public unrest became a constant problem and though many rebellions were quickly squashed, Shays’ Rebellion in particular threatened the new government from August 1786 until February 1787. It was clear to delegates that something would need to be done.

The Last Royal Governor at Washington's Resignation?

It seems unlikely that one of Maryland’s last living reminders of their days as a colony would attend Washington’s resignation, an event that symbolized the new country’s loyalty to the democratic principles that encouraged the dramatic break with England. Yet, in 1783, the last royal governor, Robert Eden, and the last Lord Baltimore’s illegitimate son, Henry Harford, had returned to Annapolis in the hopes of regaining their property that they had lost as loyalists during the war; and, on December 23, the Englishmen entered the Old Senate Chamber not as intruders, but as honored guests.

Portrait of Sir Robert Eden, by Florence Mackubin after Charles Willson Peale, 1914. Maryland State Archives, MSA SC 1545-1108.

Lafayette Becomes “Quite the Thing” in Annapolis

As recent visitors to the State House may have noticed, the Old Senate Chamber restoration impacts much more than just the closing of one room! Many paintings in the state art collection are currently undergoing conservation as part of the restoration, including several portraits of Maryland governors, which have recently been removed from the Archives Room. Walls in the State House rarely remain bare for long though, and we are pleased to use this opportunity to introduce a new exhibit to the Archives Room, featuring an eighteenth-century character with surprisingly strong connections to Annapolis! The Marquis de Lafayette, who first landed in the colonies on June 13, 1777, 237 years ago this month, visited the Maryland State House several times over the course of his long and heroic life.

Marquis de Lafayette by Robert Templeton after Charles Willson Peale, 1975. Maryland State Archives, MSA SC 1545-1034.

Tench Tilghman's Historic Swords

With just over six months to go before the Old Senate Chamber reopens, many pieces in the state collection are undergoing conservation to ensure that everything will be ready and looking its best for years to come. Some people may not realize that this group of valuable relics consists not only of paintings, but also artifacts, like the very sword worn by Tench Tilghman in Charles Willson Peale's Washington, Lafayette, & Tilghman at Yorktown! Tench Tilghman’s swords, gifted to the state in 1997, have become some of our most treasured pieces, representative of one famous Marylander’s role in the Revolutionary cause.

Long officer's sword, owned by Tench Tilghman and seen in Peale's Washington, Lafayette, & Tilghman at Yorktown. Maryland State Archives, MSA SC 4873.

Short sword, supposedly passed down to Tilghman by his great-great grandfather. Maryland State Archives, MSA SC 4873.

“That Most Illustrious Character:” Peale’s Washington, Lafayette, & Tilghman

Anyone who has visited the Maryland State House in the years past doubtless left with an impression of Charles Willson Peale’s Washington, Lafayette, & Tilghman at Yorktown. One of the largest paintings decorating the building’s walls, Peale’s work has been in the Maryland state art collection since its completion in 1784. All the while, the famous Washington, Lafayette, & Tilghman has had a long historical relationship with both the Old Senate Chamber and Old House of Delegates Chamber.

Charles Willson Peale's Washington, Lafayette, & Tilghman at Yorktown, completed in 1784. Maryland State Archives, MSA SC 1545-1120.

In 1781, the patriot cause saw great reason to celebrate with the American victory at Yorktown and subsequent surrender of British General Charles Cornwallis. The Maryland General Assembly sought to mark the occasion by unanimously voting “to write to Mr. Peale, of Philadelphia, to procure, as soon as may be, the portrait of his Excellency general Washington, at full length, to be placed in the house of delegates, in grateful remembrance of that most illustrious character.”[1] A Maryland native who had already earned the respect of the Maryland General Assembly with his portrait of William Pitt hanging in the Old Senate Chamber, Peale was an obvious choice for the painting’s commission. A year earlier, Peale’s painting of Washington in Princeton had garnered enough popularity, that he made several copies of the piece. However, Peale was not satisfied with the idea of presenting his native state with a copy. He sought to paint something new, and a rendition of Washington from life. Ultimately, Washington, Lafayette, & Tilghman took three years to complete.

Commemorating George

In the early twentieth-century, Annapolis lawyer and amateur historian George Forbes would give lectures using vintage photographs of Annapolis that he had collected over the years. When one picture of Edwin White’s Washington Resigning would appear on the slideshow’s projector, Forbes would read a speech from his lecture notes on the history of the painting, and wouldn’t be able to resist adding, “Something should be done to commemorate this scene either by marking the place with a star, where Washington stood; by erecting a statue of him thereon, or in a way which I think better still, and which I urged in an address before the Municipal Art Society, to reproduce the entire scene in wax, after the works of Eden Musee, and Madam [Tussauds] in London.”[1]

Forbes was far from the first person to believe that the momentous occasion of Washington’s resignation needed to be immortalized in the room where it took place. Though perhaps not as eclectic as Forbes’ wax sculpture scene, people over the years have come up with a multitude of creative ways to immortalize the resignation.

Plastic mannequin of George Washington - one of the most recent incarnations of a tribute to the resignation. Gift of the Maryland Society of Senates Past and the Colonial Dames of America, Chapter One, Maryland State Archives, MSA SC 1545-808.

Washington’s Britannia: Authenticating the Resignation Speech

As the clock continues to tick closer to the opening of the restored Old Senate Chamber in December 2014, we have already begun planning for the unveiling of Washington’s copy of the resignation speech. New followers of the project may be asking themselves why this speech is so important in the first place. In an age where documents can readily be viewed online and the frequent danger of forgeries, how, exactly, do we know that this is actually Washington’s copy of the speech?

Britannia watermark on Washington's resignation speech.
Maryland State Archives, MSA SC 5664-1.

The Resignation...Again?

The words of Washington’s resignation speech, “Having now finished the work assigned me, I retire from the great theatre of action, and bidding an affectionate farewell to this august body, under whose orders I have so long acted, I here offer my commission, and take my leave of all the employments of public life,” have been uttered more than once on the floor of the Old Senate Chamber.[1] In fact, multiple reenactments of George Washington’s resignation before Congress have taken place over the years.

From the dedication of a plaque by the Daughters of the American Revolution in 1916 to Colonial Day in 1928 and the Bicentennial Celebrations in 1932, the resignation ceremony has been a focal point in the way Maryland remembers George Washington.

Photograph of a costumed ball in the State House lobby for Colonial Day, 1928. Maryland State Archives, MSA SC 1754-01-15.

The Resignation: Washington Resigns His Commission Before Congress

Two-hundred and thirty years ago today, at noon on Tuesday, December 23, 1783, Congress assembled in the Old Senate Chamber of the Maryland State House. The roll that day recorded only seven states in attendance, “namely: Massachusetts, Rhode Island, Pennsylvania, Delaware, Maryland, Virginia, and North Carolina, and most of these only by two delegates.”[1] While this was not enough to pass legislation, Congress determined unanimously three days before that it would be enough to receive the resignation of the commander-in-chief.[2]

Despite the generally poor attendance of delegates, the room was crowded with citizens. Ladies filed into the gallery and men on the floor. David Howell of Rhode Island wrote, “The State House was crowded with people of the first fashion who all partook in the occasion. And many testified their affectionate attachment to our illustrious Hero & their gratitude for his Services to his Country by a most copious shedding of tears.”[3] On this day, the Old Senate Chamber had reached such a capacity that some people were asked to leave! Even so, the crowd was still overwhelming, as James Tilton, a delegate from Delaware, recorded: “At twelve o’clock the General was introduced by the Secretary, and seated opposite to the president, until the throng, that filled all the avenues, were so disposed of as to behold the solemnity. The ladies occupid the gallery, as full as it would hold, the Gentn. crouded below stairs.”[4]

George Washington Surrendering His Commission by Francis Blackwell Mayer, 1883. Image courtesy of the Mint Museum, 1971.14.

The Resignation: The State House Illuminated

On Christmas Day, 1783, James Tilton was a little disgruntled over his own behavior at a ball that had occurred three days prior. In a letter to fellow Delaware delegate, Gunning Bedford Jr., he bemoaned, “Such was my villainous awkwardness, that I could not venture to dance on this occasion, you must therefore annex to it a cleverer Idea, than is to be expected from such a mortified whelp as I am.”[1]

The particular ball that Tilton referred to was a rather important one, held at the State House on December 22, 1783 in honor of General Washington. After all, Washington’s public appearances in Annapolis in December 1783 were not only confined to the resignation ceremony, but also included several public celebrations held in his honor. Tilton’s letter to Bedford has since become a valuable resource in determining contemporary impressions of the resignation and the celebrations held on the eve of it.

James Tilton, a Delaware delegate in Congress, was present for the resignation. Lithography by Thomas Edwards, 1828. Image courtesy of the National Portrait Gallery, Smithsonian Institution, NPG.78.141.

The Resignation: Committee for Procedures

By all standards, George Washington’s resignation as commander-in-chief was a dignified yet modest affair for Congress. All the same, a certain amount of ceremony for an event as momentous as the resignation was required. Delegates Thomas Jefferson, Elbridge Gerry, and James McHenry were selected by Congress on December 20, 1783 to form the Committee for Procedures for the event.[1]

James McHenry, by Charles Balthazar Julien Feveret de Saint-Mémin, 1803. Image courtesy of the Library of Congress.

Their report was likely prepared during the weekend before the resignation. Apart from establishing the protocol of the actual ceremony, the committee’s responsibilities may have also included writing the President of Congress’ response to Washington’s resignation speech, though James McHenry admitted to not having been involved in this task. In December 1783, McHenry was love-sick over his fiance, Margaret Caldwell, and wrote to her, “I was to assist in writing our answer to General Washington’s resignation - but I am unfit for the purpose.”[2] 

The Resignation: Washington at the City Gates

In the days leading up to the two hundred and thirtieth anniversary of Washington’s resignation as Commander-in-Chief in the Old Senate Chamber, we will review the events leading up to one of the most significant events in American history.

On the evening of Friday, December 19, 1783, Generals William Smallwood and Horatio Gates, both Revolutionary War heroes, waited alongside several prominent Marylanders on the road a few miles from Annapolis to meet and escort General Washington into the city.[1] Annapolis was to be the final stop in what had become a sort of farewell tour for Washington, who had stopped in several cities along the way. A discharge of a cannon publicly announced his arrival as Smallwood, Gates, and the others led Washington to Mann’s Tavern where he would lodge for the duration of his visit. After meeting with several leading citizens that night, Washington spent some time with the President of Congress, Thomas Mifflin, before retiring for the evening.

A twentieth-century depiction painted by Everette Molinari of Mann's Tavern, where Washington stayed during his resignation and ceremonies. Maryland State Archives, MSA SC 1545-2893.

Happy Thanksgiving!

While Thanksgiving was not officially declared a national holiday until 1863, several days during and after the Revolutionary War were designated as days of thanksgiving. The Continental Congress issued many Thanksgiving Proclamations between 1774 and 1789 in honor of military victories during the war.[1] As president, George Washington declared the first national day of Thanksgiving in 1789.

To celebrate, we hope you enjoy trying this eighteenth-century recipe for Molly Ridout’s herb soup!

Herb soup recipe in Molly Ridout's handwriting, c.1765-1775. Maryland State Archives, MSA SC 371-0-2-9.

"All Eyes Being Fixed on Washington:" Washington Resigning Leaves the State House

This past Monday, a team of conservators and professional art handlers from Artex Fine Art Services worked with the Department of General Services and the Maryland State Archives to remove Edwin White's Washington Resigning His Commission from the State House. The painting, part of the state-owned art collection managed by the Maryland Commission on Artistic Property and completed in 1859, will undergo major conservation over the course of the next year, and will return to the State House in conjunction with the completion of the restoration of the Old Senate Chamber. This masterpiece has hung above the grand staircase of the Maryland State House since 1904, when it had been moved from its original home in the Old Senate Chamber.

Artex staff works to remove Washington Resigning from its place on the grand staircase. Maryland State Archives, 4 November 2013.

An army of art handlers from Artex worked carefully for several hours to first remove the painting from the wall and lower it to the floor. The canvas was then removed from the frame, and the disassembled frame was carried piece by piece downstairs where it was wrapped for safe transport. The canvas, meanwhile, was secured in cardboard and plastic, and carried out of the State House through a window in the original part of the State House. A specialty contractor removed the window to accommodate the painting; they reinstalled it immediately after the painting was out of the building. Once outside, the canvas and the frame components were loaded into a truck for transportation to the conservators’ studios.

Molly Ridout's Letter

Out of the few written descriptions of George Washington's resignation, one of the most significant is Molly Ridout's letter to her mother. As we mentioned in last week's post, Molly's letter is the only known account written by a woman in attendance.

Molly Ridout's letter to her mother, Anne Tasker Ogle, 16 January 1784. Maryland State Archives, MSA SC 358-1-2.

On January 16th, 1784, thirty-eight year old Molly Ridout wrote to her mother, Anne Tasker Ogle. Molly had the letter delivered "by a frigate that went from this

place [Annapolis] to Brest [France] this you will certainly receive as it goes by a Gentleman that carrys a Copy of the definitive Treaty [of Paris] ratified by Congress."

Spotlight on Molly Ridout

As we have mentioned in previous posts, one attendee of the resignation ceremony who will be featured in our exhibit is Mary "Molly" Ridout.

Molly was born in England in 1746, the second daughter of provincial Maryland governor, Samuel Ogle, and his wife, Anne Tasker Ogle. The Ogles were a prominent family, with influence in both England and Maryland throughout the eighteenth century. Molly's brother, Benjamin, later served as governor of Maryland between 1798 and 1801.

Molly's father, Samuel Ogle (c.1694-1752), Maryland State Archives, MSA SC 1545-1074.

Molly's brother, Benjamin Ogle (1749-1809), Maryland State Archives, MSA SC 1545-1071.

At age 18, Molly Ogle married John Ridout. An Oxford graduate, Ridout accompanied Governor Horatio Sharpe to Maryland as his personal secretary. Under Sharpe's patronage, Ridout quickly garnered several political positions including Judge of Probate (1761-1762) and naval officer of the Port of Annapolis (1762-1777). Upon Sharpe's departure from Maryland in 1773, the former governor left the couple his mansion, Whitehall, on the western shore of the Chesapeake Bay. This property, along with their Annapolis townhouse on Duke of Gloucester street known as Ridout House, played host to several social events attended by Maryland's high society.

George Washington in Bronze

Yesterday, we had our kick-off meeting with New York-based Studio EIS who will be designing the bronze statue of George Washington, which will be placed in the spot where he stood to resign his commission on December 23, 1783. Along with Washington, Studio EIS will also be creating a faux-bronze statue of Annapolitan Molly Ridout, who watched the resignation from the visitor's gallery in the chamber.

The creation of a lifelike historic statue requires a precise blend of detailed research and creativity. Studio EIS has a large amount of experience with creating lifelike statues of historical figures, including Washington, Thomas Jefferson, James Madison, and Abraham Lincoln. Their work also appears at Mt. Vernon, Monticello, Montpelier and on the steps of the New York Historical Society. Last April, members of our project team were able to visit their studio to see their remarkable work by their talented artists and to discuss the design and fabrication process.

The National Constitution Center's Signers' Hall features 42 bronze figures, all created by Studio EIS. Image courtesy of Studio EIS.