231 Years Ago: A Rush to Ratify the Treaty of Paris

Most students of American history know the story of the signing of the Treaty of Paris at the end of the American Revolution. However, few are aware of the tensions felt by Congress to ratify the treaty in time and the final dramatic race to return the ratified copy to the peace commissioners by the agreed-upon deadline.

In Paris on September 3, 1783, peace commissioners John Jay, John Adams, Benjamin Franklin, and Henry Laurens had at last concluded negotiations with the British delegation. However, the treaty could not be considered a legal, active document until it was ratified by both Congress and King George III within the next six months. Copies of the treaty were immediately sent to both England and America, and Congress, at the time meeting in Princeton, sent messages to all thirteen states to reconvene in Annapolis for the purpose of the document’s immediate ratification.

American painter, and mentor to Charles Willson Peale, Benjamin West captured one of the most well-known images of the Treaty of Paris negotiations. The image depicts American peace commissioners, John Jay, John Adams, Benjamin Franklin, Henry Laurens, and Franklin's secretary, William Temple Franklin. Unable to secure sittings with the British delegation, this painting was famously not completed. American Commissioners of the Preliminary Peace Negotiations with Great Britain by Benjamin West, 1783. Image courtesy of Winterthur Museum and Gardens, 1957.856.

A Signer at the Resignation

It’s almost the Fourth of July and what better way for the Old Senate Chamber to celebrate American Independence than to honor the last surviving signer of the Declaration of Independence? Charles Carroll of Carrollton, apart from his contributions to the national cause, was deeply interested in the politics of his own state, and spent perhaps an unequaled amount of time in the Old Senate Chamber.

Portrait of Charles Carroll of Carrollton by Thomas Sully, 1834. Maryland State Archives, MSA SC 1545-1114.

Lafayette Becomes “Quite the Thing” in Annapolis

As recent visitors to the State House may have noticed, the Old Senate Chamber restoration impacts much more than just the closing of one room! Many paintings in the state art collection are currently undergoing conservation as part of the restoration, including several portraits of Maryland governors, which have recently been removed from the Archives Room. Walls in the State House rarely remain bare for long though, and we are pleased to use this opportunity to introduce a new exhibit to the Archives Room, featuring an eighteenth-century character with surprisingly strong connections to Annapolis! The Marquis de Lafayette, who first landed in the colonies on June 13, 1777, 237 years ago this month, visited the Maryland State House several times over the course of his long and heroic life.

Marquis de Lafayette by Robert Templeton after Charles Willson Peale, 1975. Maryland State Archives, MSA SC 1545-1034.

Tench Tilghman's Historic Swords

With just over six months to go before the Old Senate Chamber reopens, many pieces in the state collection are undergoing conservation to ensure that everything will be ready and looking its best for years to come. Some people may not realize that this group of valuable relics consists not only of paintings, but also artifacts, like the very sword worn by Tench Tilghman in Charles Willson Peale's Washington, Lafayette, & Tilghman at Yorktown! Tench Tilghman’s swords, gifted to the state in 1997, have become some of our most treasured pieces, representative of one famous Marylander’s role in the Revolutionary cause.

Long officer's sword, owned by Tench Tilghman and seen in Peale's Washington, Lafayette, & Tilghman at Yorktown. Maryland State Archives, MSA SC 4873.

Short sword, supposedly passed down to Tilghman by his great-great grandfather. Maryland State Archives, MSA SC 4873.

Congress Assembled: Why We Care About Ceremonial Protocol

On December 21, 1783, Thomas Jefferson sent a carefully drafted speech intended for the President of Congress to the rest of the Committee of Procedures for Washington’s resignation ceremony. To Elbridge Gerry and James McHenry, who were furiously drafting a set of ceremonial instructions known as protocol, he wrote “I send you the sketch, which I have been obliged to obliterate and blot after making what I intended for a fair copy…. Perhaps this answer is too short; perhaps it is too warm. A want of time must apologize for the one, and an exalted esteem for the other faults.”[1] Together, the three men came up with the adopted protocol for the resignation ceremony that today remains one of the most important written records to describe what happened on that day.

While protocol may seem like a boring list of who was bowing when, we have discovered that eighteenth-century ceremonial protocol is actually much more complex and revealing than originally thought. Protocol actually provides a contemporary account of how eighteenth-century people saw each other. What’s more, by learning exactly who was sitting and where, we can get one of the most accurate and contemporary descriptions of the Old Senate Chamber on the very day Washington resigned! Our staff has conducted months of intensive research to study every ceremony conducted by Congress between 1778 and 1783 in the hopes of putting together the puzzle pieces to recreate what exactly happened on December 23, 1783.

This print of Benjamin Franklin's reception at the French court is a perfect example of the American colonies, and later the United States, trying to communicate with other countries based around monarchies. Franklin's Reception at the Court of France, 1778, by Anton Hohenstein in the 1860s. Image courtesy of the Library of Congress Prints and Photographs Division.

Portrait for the Revolution

Many famous works of art have at one time or another decorated the walls of the Old Senate Chamber. From portraits of the four Maryland signers of the Declaration of Independence, to Charles Willson Peale's Washington, Lafayette, & Tilghman at Yorktown, and Edwin White’s massive Washington Resigning His Commission, the Old Senate Chamber has undergone a multitude of aesthetic changes.

One painting, though, has a particular connection to the room. Charles Willson Peale’s portrait of William Pitt has been in the hands of the state of Maryland since 1774 and was one of the original art pieces to decorate the Old Senate Chamber. While Congress was in session in Annapolis between 1783-1784, it was the Pitt portrait that overlooked such momentous events as George Washington’s resignation and the ratification of the Treaty of Paris.

Charles Willson Peale's William Pitt in the Maryland state art collection. Maryland State Archives, MSA SC 1545-1113.

“The Sound of Fiddles,” Balls on State Circle

The ball for Washington, while most well-known, was far from the only celebration in Annapolis. In fact, contemporary accounts say there was a public ball at least twice a month during the city’s social season in the winter. Congressional delegates and passers-through to Annapolis in the eighteenth-century expressed delight at the entertainments of the city.

Annapolis in 1750 by Francis Blackwell Mayer, 1876, shows a romanticized depiction of a social scene between two prominent Maryland families - the Calverts and the Carrolls. Maryland State Archives, MSA SC 4680-10-0064.

When he first arrived in Annapolis as the Surveyor of Customs, under the protection of the Royal Governor, Robert Eden, William Eddis couldn’t help but describe the balls with some awe. “During the winter,” he remarked, “there are assemblies every fortnight; the room for dancing is large; the construction elegant; and the whole illuminated to great advantage. At each extremity are apartments for the card tables, where select companies enjoy the circulation of the party-coloured gentry, without having their attention diverted by the sound of fiddles, and the evolutions of youthful performers."[1]

The Mysterious Life of John Shaw

On March 5, 1829, both the Maryland Gazette and the Maryland Republican ran an identical article of remarkable length for an obituary of that day. The obituary described the deceased, an Annapolis cabinetmaker called John Shaw, in glowing terms: “He was not afraid to die! … He was a good man, who lived sincerely beloved by his family, and deservedly esteemed by his fellow-citizens; and has, we trust, passed from this world of care, to partake of the joys promised to the righteous.”[1]

Doubtless, followers of this blog have noticed the recurrence of John Shaw’s name in various capacities throughout the construction and operation of the eighteenth-century Maryland State House. Today, the cabinetmaker has played a critical role in research for the renovation of the Old Senate Chamber. Recent research into John Shaw’s life has uncovered new and exciting details, perhaps sometimes raising more questions than answers. All the same, in gaining a better grasp on the biographical details of Shaw, we are better able to understand how and when he would have furnished the Old Senate Chamber.

Signature of John Shaw on a receipt for candles to illuminate the State House for Washington's ball, December 1783. Maryland State Archives, Scharf Collection, MSA S 1005-83-117.

In this entry, we will focus specifically on recent research that uncovered details on his early life, fostering the man who would become one of the greatest contributors to the interior appearance of the Maryland State House.

The Treaty of Paris is Ratified

Washington’s resignation was far from the only significant event to occur while Congress was in session in the Old Senate Chamber. On January 14, 1784, the Treaty of Paris was ratified, officially ending the American Revolution and making the Maryland State House the first official peacetime capitol of the United States.

An excerpt from the Treaty of Paris, 1783. Image courtesy of International Treaties and Related Records, General Records of the United States Government, Record Group 11, National Archives.

Negotiations for peace began as early as April 1782, but it wasn't until September 3, 1783 that British and American delegates signed the final draft in France. In order for the treaty to officially take effect, it had to be ratified by Congress within six months. Congress immediately called its delegates to meet in Annapolis that November to approve the treaty.

The Resignation: Washington Resigns His Commission Before Congress

Two-hundred and thirty years ago today, at noon on Tuesday, December 23, 1783, Congress assembled in the Old Senate Chamber of the Maryland State House. The roll that day recorded only seven states in attendance, “namely: Massachusetts, Rhode Island, Pennsylvania, Delaware, Maryland, Virginia, and North Carolina, and most of these only by two delegates.”[1] While this was not enough to pass legislation, Congress determined unanimously three days before that it would be enough to receive the resignation of the commander-in-chief.[2]

Despite the generally poor attendance of delegates, the room was crowded with citizens. Ladies filed into the gallery and men on the floor. David Howell of Rhode Island wrote, “The State House was crowded with people of the first fashion who all partook in the occasion. And many testified their affectionate attachment to our illustrious Hero & their gratitude for his Services to his Country by a most copious shedding of tears.”[3] On this day, the Old Senate Chamber had reached such a capacity that some people were asked to leave! Even so, the crowd was still overwhelming, as James Tilton, a delegate from Delaware, recorded: “At twelve o’clock the General was introduced by the Secretary, and seated opposite to the president, until the throng, that filled all the avenues, were so disposed of as to behold the solemnity. The ladies occupid the gallery, as full as it would hold, the Gentn. crouded below stairs.”[4]

George Washington Surrendering His Commission by Francis Blackwell Mayer, 1883. Image courtesy of the Mint Museum, 1971.14.

The Resignation: Washington at the City Gates

In the days leading up to the two hundred and thirtieth anniversary of Washington’s resignation as Commander-in-Chief in the Old Senate Chamber, we will review the events leading up to one of the most significant events in American history.

On the evening of Friday, December 19, 1783, Generals William Smallwood and Horatio Gates, both Revolutionary War heroes, waited alongside several prominent Marylanders on the road a few miles from Annapolis to meet and escort General Washington into the city.[1] Annapolis was to be the final stop in what had become a sort of farewell tour for Washington, who had stopped in several cities along the way. A discharge of a cannon publicly announced his arrival as Smallwood, Gates, and the others led Washington to Mann’s Tavern where he would lodge for the duration of his visit. After meeting with several leading citizens that night, Washington spent some time with the President of Congress, Thomas Mifflin, before retiring for the evening.

A twentieth-century depiction painted by Everette Molinari of Mann's Tavern, where Washington stayed during his resignation and ceremonies. Maryland State Archives, MSA SC 1545-2893.

The State House At War

The Maryland State House has been the setting for dramatic turns in the history of Maryland and the nation. Over the years, all of the nation’s wars have in some way impacted the building and the politics that take place within it. During the War of 1812, the State House dome was even used as a lookout while the British fleet raided the Chesapeake Bay. Situated at the center of Annapolis, which is home to the United States Naval Academy as well as Maryland’s capital, it would be difficult for the Maryland State House to not play a prominent role in the home front.

Photograph of procession on Maryland Avenue, with the State House in the background, dated 1859-1906. Copy by Marion E. Warren, Marion E. Warren Collection, Maryland State Archives, MSA SC 1890-02-3244.

In honor of Veteran’s Day, we will take a moment to reflect on the State House and its consequential role in the Revolutionary War effort.

Spotlight on Molly Ridout

As we have mentioned in previous posts, one attendee of the resignation ceremony who will be featured in our exhibit is Mary "Molly" Ridout.

Molly was born in England in 1746, the second daughter of provincial Maryland governor, Samuel Ogle, and his wife, Anne Tasker Ogle. The Ogles were a prominent family, with influence in both England and Maryland throughout the eighteenth century. Molly's brother, Benjamin, later served as governor of Maryland between 1798 and 1801.

Molly's father, Samuel Ogle (c.1694-1752), Maryland State Archives, MSA SC 1545-1074.

Molly's brother, Benjamin Ogle (1749-1809), Maryland State Archives, MSA SC 1545-1071.

At age 18, Molly Ogle married John Ridout. An Oxford graduate, Ridout accompanied Governor Horatio Sharpe to Maryland as his personal secretary. Under Sharpe's patronage, Ridout quickly garnered several political positions including Judge of Probate (1761-1762) and naval officer of the Port of Annapolis (1762-1777). Upon Sharpe's departure from Maryland in 1773, the former governor left the couple his mansion, Whitehall, on the western shore of the Chesapeake Bay. This property, along with their Annapolis townhouse on Duke of Gloucester street known as Ridout House, played host to several social events attended by Maryland's high society.