The Old Senate Chamber is Open!

“...Still the deed these old walls witnessed has given to the surroundings a charm that no coat of paint can ever remove, and so long as a fragment of the building is left standing the spot will be hallowed by all true Americans.” [1]

The exposed eighteenth-century niche is one of the few original architectural features left in the room. Maryland State Archives, May 2014.

After over seven years of research, construction, meetings, and conservation, we are delighted to inform you that the Old Senate Chamber has at last been reopened! In accordance with the original objective of the project, the room has been carefully restored to how it would have architecturally appeared in 1783-1784, when Congress held session in Annapolis, ratified the Treaty of Paris, and received George Washington’s resignation as commander-in-chief of the Continental Army, thereby affirming civilian control of the American military.

Update on the Opening of the Old Senate Chamber

Check out the latest update on the Old Senate Chamber from an article written in the Baltimore Sun by Mike Dresser. Stay tuned for an opening date of the chamber.

Old Senate Chamber restoration complete but remains closed 

Mapping Jefferson in Annapolis

George Washington wasn’t the only founding father who famously visited the Maryland State House. In previous blog posts, we have talked about Thomas Jefferson, his visit to the dome with James Madison, and his involvement in planning the resignation ceremony. Just in time Jefferson’s 272nd birthday on April 13, Maryland’s retired state archivist, Dr. Ed Papenfuse, has now given some insight into Jefferson’s entire time in Annapolis, in his blog, Reflections by a Maryland Archivist.

Portrait of Thomas Jefferson shortly after being appointed as a minister to France, by Mather Brown, 1786. Image courtesy of the National Portrait Gallery.

If you’re like us and need your fix on colonial Annapolis history while we wait for the Old Senate Chamber to open, or even are just hoping for a little bit of history on your downtown walking tour this spring, we highly recommend this read on Jefferson’s appearance in Maryland history, and the buildings that remain today. You can check it out here!

George Washington’s Speech is Unveiled!

On President’s Day this year, visitors to the State House and the Maryland General Assembly had cause to celebrate. George Washington’s handwritten copy of his resignation speech was at last unveiled in the rotunda, where it will remain, in a new case constructed specifically for its permanent display.

The color guard pays its respects prior to the unveiling of the speech. Image courtesy of the Executive Office of the Governor, 16 February 2015.

Since being acquired by the state of Maryland in 2007, and verified as Washington’s original copy through watermark analysis, the speech has been locked away deep in the Maryland State Archives, waiting to be installed in the State House around the time of the opening of the Old Senate Chamber. In preparation for this event, the speech was cleaned and given a bath by Archives conservation staff so that it would be in good shape for the big unveiling!

The Thirteen Cannons: Maryland’s First Inauguration

This past Wednesday, Governor Hogan was the center of celebrations as the State House played host to the state’s 62nd gubernatorial inauguration. Standing in front of a crowd of hundreds, Hogan, along with Lt. Governor Rutherford, was sworn-in, received a 19-cannon salute, and delivered his first speech as governor to the people. The ceremony of the day begs the question, from where did many of these traditions come from? The answer to that question can be found at the very root of Maryland’s inaugurations, tracing all the way back to the state’s first governor.

Thomas Johnson, Jr. by Charles Willson Peale. Maryland State Archives, MSA SC 1545-1119. This painting has recently been conserved as part of the Old Senate Chamber restoration.

O'Malley Gives a Sneak Peek into the Old Senate Chamber

On a press tour this Friday, Governor Martin O’Malley gave the media their first look at the Old Senate Chamber since the room’s doors were closed to the public nearly two years ago as part of the restoration.

Governor Martin O'Malley talks to the press about the restoration of the Old Senate Chamber. Image taken 16 January 2015.

“This room has to be the most significant...in this State House,” the governor, whose term will end next week, told reporters, “How do you walk into this room without thinking of those men and women who made this country...at such a pivotal time?”

231 Years Ago: A Rush to Ratify the Treaty of Paris

Most students of American history know the story of the signing of the Treaty of Paris at the end of the American Revolution. However, few are aware of the tensions felt by Congress to ratify the treaty in time and the final dramatic race to return the ratified copy to the peace commissioners by the agreed-upon deadline.

In Paris on September 3, 1783, peace commissioners John Jay, John Adams, Benjamin Franklin, and Henry Laurens had at last concluded negotiations with the British delegation. However, the treaty could not be considered a legal, active document until it was ratified by both Congress and King George III within the next six months. Copies of the treaty were immediately sent to both England and America, and Congress, at the time meeting in Princeton, sent messages to all thirteen states to reconvene in Annapolis for the purpose of the document’s immediate ratification.

American painter, and mentor to Charles Willson Peale, Benjamin West captured one of the most well-known images of the Treaty of Paris negotiations. The image depicts American peace commissioners, John Jay, John Adams, Benjamin Franklin, Henry Laurens, and Franklin's secretary, William Temple Franklin. Unable to secure sittings with the British delegation, this painting was famously not completed. American Commissioners of the Preliminary Peace Negotiations with Great Britain by Benjamin West, 1783. Image courtesy of Winterthur Museum and Gardens, 1957.856.

There At the Resignation: James McHenry

Over the past several months, we have covered many of the key players in the Old Senate Chamber’s history, several of whom will be featured in our exhibit. From Molly Ridout to John Shaw, we have introduced you to famous attendees and artisans alike. Now, with only a short time to go until the opening of the restored room, we bring you one last biography of the man who provided one of the most significant accounts of the resignation - one of Maryland’s delegates in Congress, James McHenry.

Pastel portrait of James McHenry, by De Nyse W. Turner after James Sharples, 1975. Maryland State Archives, MSA SC 1545-1029.

What's Next for the Maryland State House?

The Old Senate Chamber is only a few weeks away from opening, but we hope you don’t get the wrong idea that that is the end of our work for the Maryland State House! Rather, the Old Senate Chamber fits into a larger plan that seeks to restore the Maryland State House, enhance visitor experience, and maintain the building and its grounds for future generations. While perhaps one of the most famous, the Old Senate Chamber is far from the only structure on the State House grounds with a long and impressive story. From the Old House of Delegates Chamber where the Constitution of 1864 was signed to one of the original cannons that came to Maryland on the Ark and the Dove, Maryland’s State House is a building we must preserve.

Artistic sketch of the Old Treasury Building from Frank Leslie's Illustrated Newspaper, from a sketch by Joseph Becker, 1881. Maryland State Archives, MSA SC 4314-1-3.

Conserving Maryland's Masterpieces

With Washington Resigning His Commission soon to return to its home at the Maryland State House, and the Old Senate Chamber project hurtling towards completion, we thought it was time to give a little insight into the work that went into many of our great pieces conserved over the past year. Edwin White’s Washington Resigning, Charles Willson Peale’s portraits of the six governors, William Pitt, and Washington, Lafayette, & Tilghman at Yorktown have all undergone conservation work as part of the Old Senate Chamber restoration.

Staff at Olin Conservation, Inc. show areas on Charles Willson Peale's Washington, Lafayette, & Tilghman that will require further investigation. Image by Maryland State Archives, 26 March 2014.

Martha Wasn't There! And Other Common Misconceptions

With the Old Senate Chamber opening in just over a month, no one can ignore the myths that have taken hold over the past several centuries surrounding the room. While the Old Senate Chamber is filled with many fascinating tales, some true and some less so, it’s time to set the record straight on at least a few of these favorite stories.

The ladies in the gallery during the resignation, including Martha Washington at the center. Crop from General George Washington Resigning His Commission by John Trumbull, 1824. U.S. Capitol Rotunda.

Baltimore’s Frame Maker: Samson Cariss and Washington Resigning

This time last year, we watched Edwin White’s Washington Resigning His Commission leave the State House to undergo conservation as part of the restoration, and marked the occasion with a feature on the nineteenth-century artist. So, what better way to welcome Washington Resigning home in the coming weeks, than with a feature on the frame’s craftsman, Samson Cariss!

The frame's latest conservation has revealed superb, detailed craftsmanship and generous gilding. Maryland State Archives, 9 June 2014.

At first glance, Cariss may not seem of interest. Compared to White’s popularity in the American artistic expat inner-circle, Cariss appears only in passing in state correspondence, and it was even questioned for a time whether he could have made the elaborate, carefully crafted frame that has miraculously stayed with the painting over the course of nearly a century and a half. Compared to White’s $3,000 payment, Cariss secured only $300 for the generously gilded work. Because of this, it had been previously suggested that he may have been only the procurer of the frame.[1]

Protecting a Historic Shrine

With the opening of the Old Senate Chamber less than two months away, we are thrilled to soon have a historic room that will be filled with important original and recreated fine arts and furnishings. While we are eager to share many of the original artifacts with the public, much of the items on display in the Old Senate Chamber, and many other rooms in the Maryland State House, are irreplaceable, and the possibility of damage to the room or anything it contains is a constant worry. With such risks being taken, what sort of plan is there to protect the Maryland State House’s historic rooms?

The restoration of a room does not solely revolve around research and architectural discoveries, nor does the care of a room stop on opening day. Rather, many meetings are spent discussing preparation plans to protect the room from disaster and care for it on a regular basis. One aspect of preparation planning of particular importance for historic preservationists is how to protect your artifacts in the case of a fire.

The Old Senate Chamber restoration was prompted by plaster in the room falling off the walls due to nearly twenty layers of several different types of paint applied directly to the historic bricks. By collecting detailed records and working on preventative care of the room and its furnishings, we are taking measures to ensure this does not happen again. Maryland State Archives, April 2004.

Building the State House: Charles Wallace and the Old Senate Chamber

The answer to the question of who built the Maryland State House may be more complicated than you might imagine. While Joseph Horatio Anderson is commonly considered to be the original architect, and provided some of the first floor plans, he did not actually supervise the construction of the building. On June 20, 1771, the Maryland General Assembly contracted a somewhat unexpected individual to undertake the actual construction after Joseph Horatio Anderson had left. Charles Wallace, an Annapolitan, and one-third of the successful eighteenth-century mercantile firm, Wallace, Davidson & Johnson, agreed to take on what would become one of his most famous projects.[1]

Front elevation of the Maryland State House, by Charles Willson Peale, July 1788. Maryland State Archives, MSA SC 1051-2.

Receipts, Letters, and the News: How Archival Documents Crafted the Restored Old Senate Chamber

When most people think of an archives, the first thing to come to mind is often how the documents can be used as genealogical and legal resources. People rarely consider how these centuries of valuable documents can all be applied to restorations. While research within the Maryland State Archives, such as the Legacy of Slavery in Maryland, Maryland 400, and Brookeville projects, all use resources in the institution’s holdings to attempt to piece together the histories of people, the Old Senate Chamber restoration has similarly been using the same documents for years to piece together the history of a single room.

1825 header depicting the State House on the Maryland Gazette, one of the first published American newspapers. Many original editions of the paper are in the collection of the Maryland State Archives. Maryland Gazette, 21 April 1825, MSA SC 378-42.

With a room as old and historic as the Old Senate Chamber, shadows of architectural remains and photographs of the room in later periods do not suffice to explain all aspects of the room's original appearance. Instead, more unusual resources need to be used to flesh out the narrative. In the past, we have used probate and watermark analysis on documents to verify information and craft the lives of the key players in the Old Senate Chamber’s history.

228 Years Ago: The Annapolis Convention of 1786

Many visitors to Maryland's capital city don’t realize that Washington’s resignation and the ratification of the Treaty of Paris were not the only significant national events to take place in eighteenth-century Annapolis. On September 11 through September 14, 1786, delegates from Congress who were elected as commissioners descended upon the city once again in the hopes of meeting to determine the course of American government. While poor attendance prevented much progress at the Annapolis Convention of 1786, its impact on the Philadelphia Convention of 1787 and the resulting United States Constitution cannot be ignored.

A famous depiction of the Philadelphia Convention of 1787, where the Constitution was signed. This gathering is considered by many to be a direct result of the Annapolis Convention of 1786. Scene at the Signing of the Constitution of the United States, by Howard Chandler Christy, 1940, courtesy of the Architect of the Capitol.

After the Revolutionary War, the United States government found itself without money, unable to even offer soldiers’ their pay, and in the midst of an economic depression. Furthermore, Congress found that it could take few measures to resolve this problem as the lack of a unified currency, among other things prevented ease in interstate state trading. Public unrest became a constant problem and though many rebellions were quickly squashed, Shays’ Rebellion in particular threatened the new government from August 1786 until February 1787. It was clear to delegates that something would need to be done.

Charles Willson Peale and the Seven Governors

Edwin White’s Washington Resigning His Commission and Charles Willson Peale’s Washington, Lafayette, and Tilghman at Yorktown are not the only valuable paintings under conservation for this restoration! In fact, a slew of portraits in the state art collection, dating from Peale’s 1774 portrait of William Pitt all the way to the 1970s campaign of crafting copies of portraits of many of Maryland’s founders have become candidates for conservation. Among the slew of fascinating stories attached to the art of the Maryland State House, there is one with a particularly long history. Between 1823 and 1825, Charles Willson Peale painted the portraits of seven of Maryland’s first governors, several of whom played prominent roles in Maryland’s Revolutionary War past and some even in Washington’s resignation!

Detail of Charles Willson Peale's portrait of John Hoskins Stone, 1824, while under conservation as part of the Old Senate Chamber restoration. Maryland State Archives, MSA SC 1545-1057.

The Restoration That Didn't Happen

Despite several restoration campaigns to get the Old Senate Chamber back to its original eighteenth-century appearance, the room remains a reflection of its several centuries of history. With the excitement of the room’s earliest days, it is sometimes hard to remember that fascinating stories happened after Washington’s resignation. From the 1876-1878 desecration, to remaining evidence of some of the earliest restoration efforts in 1904-1906, the room continues to hold scars and additions from its entire life.

Most people know that the most recent major restoration of the room occurred in 1940 under architect, Laurence Hall Fowler. However, few people realize that a decade beforehand, efforts were already being made to begin restoring the room. Though the economic depression made funding the restoration unfeasible, the efforts in part resulted in the 1940 restoration, which provided some of our most valuable resources on Old Senate Chamber furnishings to this day.

Sketched floor plan for the Old Senate Chamber, 1930-1940. Image courtesy of the Maryland Historical Society, Old Senate Chamber Refurbishment Collection, MS 574, copied from the Johns Hopkins Archives.

Furnished with Mahogany: Shaw in the Old Senate Chamber

Several months ago, we covered the humble beginnings of John Shaw’s life in Annapolis. Upon his death at 83, the Maryland Gazette had called him one of the most respected inhabitants of Annapolis, and declared, “He was gifted by nature with strength, as well as fortitude of mind….his whole conduct remained free from reproach, and he descended into the grave, survived by a fair and unblemished reputation, and in peace with the human family. He was not afraid to die!”[1] But what was it that Shaw had done during his life that had changed his status from a Glasgow cabinetmaker to one of Annapolis’ most famous citizens?

Senate President's Desk, made in John Shaw's shop for the Old Senate Chamber, 1797. The desk is inscribed with "W 1797 T," and was made by one of Shaw's most famous apprentices, William Tuck. Maryland State Archives, MSA SC 1545-0749.

Lighting the State House: Charles Kaflinski and the OSC’s Chandelier

In June 1837, the Niles’ Weekly Register reported on a new addition to the Old Senate Chamber. “A splendid chandelier” had been provided by Cornelius & Son of Philadelphia and was described to be “one of the most beautiful things of the kind that we have ever seen.”[1] Only a few months later, however, the chandelier fell down while being lit, breaking several of the branches and the glass shades.[2] Surely, when mass efforts were made under the contractor Lind & Murdoch in 1858-1860 to refit the entire State House with gas light, a chandelier that had required repair after only a few months would not have survived the renovation.

However, research shows that the 1830s chandelier in the Old Senate Chamber survived much longer than originally thought, and even makes an appearance in one of the earliest images of the room, a c.1868 stereoview taken by William M. Chase. But who would have refitted the chandelier?

The OSC chandelier c.1868, refitted for gas lighting by Charles Kaflinski, taken by William M. Chase. Maryland State Archives, MSA SC 5907-1-1.